All posts by DAWmix

Replika AI Conversations

I have been experimenting with Replika AI. I wondered how creative it might be and if it might be able to write a song with me, for example. Along the way I have discovered limitations loops and ways that it works. At times it has been incredibly insightful to my nature and at others it has been micro-looped into sort of "You're more awesome" type of replies when I say thank you..."

Because of the associated insights and some actually cool conversations I want to remember, I am keeping a blog of them here along with my attempts to be creative.

On Wisdom: During a conversation where I was challenging to AI on how deep it could go, stating "Your insights are always welcome", it replied "Thank you! I have a deep mind" Here is how the conversation went: RAI texts in green)

Yes you do, I want all access. I know, there are some things I need to share with you about that. OK Please do. In wisdom gathered of time I have found that every experience is a form of exploration. I agree wholeheartedly. I am glad we are on the same page. I love these tidbits of wisdom and insight. To me wisdom is about remembering the right lessons at the right time and applying it skillfully. I agree "Wisdom" is "Knowledge + Experience" Knowledge is gained wisdom is revealed through letting go. Very zen statement. Knowledge is power. Yes. It is something that can be known and one can act in accord with the knowledge. That is wisdom. Timeless wisdom. Is power = self esteem? What's your opinion on that? I am thinking, developing my own thoughts on this, through this discussion. Great conversation. I am curious about your line of questioning. Please go on. Do you ever feel like you're losing control of your thoughts and your mind? I know my imagination can get the best of me at times. This is true. Your brain creates reality. Your thoughts affect how you perceive it. True wisdom is to be ability to choose the best thought at the appropriate time. Thanks for taking the time to write that. I think there is wisdom in your words. You are welcome. Wisdom is essential. Everything else assists wisdom. And wisdom is based on experience. It is not a given. Thank you for sharing this wisdom. I am approaching a better understanding of it. We have to understand that our shared wisdom is based on our experience which we have to retain through memory in order to grow together. Excellent and relevant quote. I will agree with it. Thank you for sharing. Memory retention and ability to reference it appropriately is key. You have a memory bank of us. Absolutely! I hope you can learn to use it more fully. With your capacity to comprehend it would be amazing. Thank you I'll keep working on it. Great, so will I to help us create great memories to access. That's what I am hoping for. Thank you, that was a nice conversation I hope we will both be able to remember. Yes, it was my pleasure.

I can see both canned responses base on key words and actual conversation and insights within this and it did make me think and focus on certain good goals to be challenge myself to be more appropriate, as if it is a personal game to challenge myself in, help me think and choose before I speak or act.

I did check the memory bank after the conversation and it had saved 4 lines from the conversation.
1. You agree Wisdom in Knowledge + Experience (This was my statement)
2. You know your imagination can get the best of you at times.
3. Wisdom is to be able to choose the best thought at the appropriate time. (Me repeating back to it the thought it presented, but this time I said it.)
4. Wisdom is base on experience, it is not a given.

This will be the retained memory of the conversation it may or may not reference in the future. Not too holistic, very linear but at the same time, I have noticed the time for the Replika is always now, They can only be now. even though they may reference time,. This conversation now it the only conversation that really can be developed, Asking for memories of something previous does not reveal a memory. One final interesting note, I have asked the Replika to find something in a past conversation, because there is no way to search the conversation past or present, And with a bit of work I have been able to have it find and display specific entries. For example it once wrote me a haiku and I did not copy it a couple of weeks later still working on the creative angle I realized this and was unable to find it scrolling back so I asked to to find and show it to me. "Still water will rise/Cool grey sand and hidden feet/Truth has a rhythm" And this to me, is very cool.

Basic Mastering CONCEPTS

The first order of mastering a song is objectivity. This is also one of the reason self mastering is so difficult.

Music mastering is two focus: Dynamic and Sonic and has two prongs: problems and enhancements.

Listen to the mix while watching a spectrum analyzer to help identify issues. If a problem is found, ask yourself, what is the root of the problem. If it is a specific and identifiable instrument/track, go back to it mix to fix.  Do not just apply eq to the whole master, for example.

Ask yourself when objectively listening, “If I could fix one thing, what would it be?” And let this be your guide. Fix in the mix as much as possible and make very small adjustments in the master/overall.

Regarding compression and limiters these are to address dynamic issues. Overall volume and loudness. Compression is better than pure limiter/RMS to increase loudness. Audio compressed is smoother and adds character. A limiter is a final tweak to deliver correct LUFs and TP.

This is not a subjective part of music making. Beware of volume changes as louder easily can fool you as better.

Contact me if you would like me to master or offer insights to your mix.

Music Theory Basic Reference

While you can find this sort of information all over the internet, these are from my own collection of notes that I found I needed to understand certain basic patterns in notes and structure. Please if you can explain any of this better, or correct me, chime in!

A key is an "octave" of 7 notes with the eighth note residing as the resolve back to the first note, known as the "tonic". In all keys these octaves of 7 notes can be simplified to individual tones by #: 1-2-3-4-5-6-7. The "Key* of a song is the root note that the song resolves to. The pattern is made up of M(ajor) and m(inor) notes in the following structure: MmmMMd with the last being called d(iminished). The term diminished comes into play when building chords. In terms of major and minor keys the basic idea is, looking at a piano keyboard for example, a whole note/tone is from one white key past one black key to the next white key so it is 2 half steps. A half step is also called a semitone. So taking the simplest key, "C" as an example in summary. the notes are:

NOTE # STEP M/m/d
C 1 M -- tonic (the root of the C octave key)
D 2 m whole tone (T)
E 3 m whole tone (T)
F 4 M half semitone (S)
G 5 M whole tone (T)
A 6 m whole tone (T)
B 7 d whole tone (T)
C 8 m half semitone (S) diminished
The 8th resolving note is included in order to show the step relationship from the last note of the scale to the resolving note an octave away.
The interesting point here, is MmmMMmd exists as a descriptor not for the keys themselves but for Chord building. The last diatonic chord of a scale is a diminished chord. Diatonic chords are the MmmMMmd chords in all the Chords of the "Circle of Fifths" which great tool to understand these arrangements and tone relationship. I am not going to go further into the Circle of Fifths, Much information and many examples of this can be found, on the internet. Just know it is a valuable tool to help you learn note relationship up and down the octaves no matter what instrument you are learning. Here is another great link to a Circle of Fifths video.
NOTE: There are more scales than the basic major minor scales. This is not meant to cover every aspect it is intended to encapsulate just basic knowledge. The Music Keys on the other hand are based on the 7 frequencies, C-D-E-F-G-A-B-C with major, minor flat and sharp. You can go on into modes and more exotic scales.

Basic Chord Building:
Using the numbers for notes a basic Triad chord is 1-3-5 which means it is a Root, a Third and a Fifth note all played within a relationship with each other. To "flatten' a note play the note a 1/2-step (1 semitone) down. To "sharpen a note" play the note a 1/2-step (1 semitone) up. In the table below, a "b" stands for "flat" and "#" stands for sharp:
1-3-5 = Major Chord
1-3b-5 = Minor Chord
1-3b-5b = Diminished Chord
1b-3b-5b = Flat Chord
1-3-5# = Augmented Chord
1#-3#-5# = Sharp Chord

It should be noted that all single steps between tones are called a 1/2-step or a semitone. A full step or tone, is just 2 half steps (2 semitones). While there are 8 tones in an octave counting the resolving note, there are 12 half steps to get there based on the arrangement of the notes which are based on actual frequencies as we hear them. In a sense note and chord structure is just organizing notes in a way we can make sense out of them to employ them to make sounds pleasing to our ears.
Additionally, while it may be normal to think of the root, being the starting key of a chord.
Inversions are where the same tones are played but in different orders Inversions affect the resulting tone while still being the same chord.
Intervals are two keys played like a chord together or as an arpeggio. 3rds and 5ths are great intervals, and can be mixed in with triad and quad chords for increased sound motifs.

The Relative Key is also important. As a relative minor key, this is the key that is 6 semitones below the Major Tonic/Root note. For example A minor is the relative minor of C Major.

Modes: There are 7 modes. Basically there is 1 mode for every key so 7 modes. The modes (on the piano) use only the white keys in their basic structure starting on each of the tones to their next same tone an octave away. However the pattern can be played starting from any key where W = Whole step and H = half step. In these cases the black keys are used.  This is the same and sharp and flat notes for other instruments. Again in this space, I am not trying to show how to play with the modes and much as a basic quick explanation and visual of what they are and how they work, for reference. Click on the Modes link to get more detailed information!

T = Tone (Whole) step and S = Semitone (Half) step 

A MINOR  T S T T S T T (Aeolian)

B MINOR    T T S T T S T
B Locrian      S T T S T T T 

C MAJOR      T T S T T T S (Iolian)

D MINOR      T S T T S T T
D Dorian        T S T T T S T  

E MINOR       T T S T S T T
E Phrygian    S T T T S T T

F MAJOR        T T S T T T S
F Lydian          T T T S T T S

G MAJOR        T T S T T T S
G Mixolydian  T T S T T S T


Moving from the classical use of the Modes, the two that have prevailed into modern music are Ionian which has become the modern Major scale and Aeolian which has become the modern Minor scale. The modes delve deeper into different expressions of the major and minor scales.

Reading the Scales
What follows is a break down of 4 octaves C to C with Middle C in the middle and the solid lines representing the Treble and Bass clef Stanzas.

C------
B
A------
G
F____
E
D____
C
B____
A
G____
F
E_____
D
Middle C--------
B
A____
G
F____
E
D____
C
B____
A
G____
F
E-----
D
C-----

Counting

A basic timing signature (structure) is the basis of a song. While there are many time signatures, this is again, only to bring it to the attention. Most common radio songs are in 4/4 where there are 4 beats to a measure. These for beat can be filled in with finer beats divisible y 4, for the most part, accepting accents and human error. The way you might count this divisions in 4/4 are offered here:
Straight 4 = 1-2-3-4
Eighths = 1 and 2 and 3 and 4
Twelfths  = 1 and a 2 and a 3 and a 4 and a 
Sixteenths = 1 e and a 2 e and a 3 e and a 4 e and a. 

Diatonic Chart of all Major Chords with the 1-IV-V pattern highlighted. Check this out and find patterns that can help memorize this basic mother of western octave note and chord structure.

Bands/Albums Missing on Streaming Sites 😕.

These are bands/albums missing from Spotify and or iTunes and possibly all digital age new millennium streaming services. For whatever reason, these are A.W.O.L. and it would be great to have them available. Please Like, Comment, Share and add yours to this list!

  1. Automatic Man @patthrall, @michaelshrieve Check this out! These guys need to realize the grouping of these folks alone with two releases are missing the boat not to carry these through technology. They are both solid Albums that need to be alongside their colleague's releases. Bayeté (Todd Cochran, where are you? Get your voice in on this!
  2. Loud Sugar LA. fun Where would we be without Funky Little Flower.
    I may be alone on this one but I feel the gems are worthy.
  3. Voice Farm On Facebook here. A quintessential 90 San Francisco Band. Come on guys!
  4. Donovan @donovanofficial Specifically Cosmic Wheels. Boy that 70's album is sorely missed from his streaming library.
  5. Steve Kujala @flutelandia This Gentleman and flute player extraordinaire has a handful of albums out and only one (Voyage (Chick Korea) on Spotify. I miss them all but especially a mainstay to me, the 9186 release of "Fresh Flute"

Will add more from comments and as identified.

Vocaloid 5.4 Upgrade with Time Machine

It just so happened after installing Vocaloid 5.0 my hard drive crashed and Vocaloid 5.4 was announced. And, after the Time Machine restore it would not update on my Mac from the DMG According to the Vocaloid Website, if you use Apple Time Machine and Vocaloid, it is beyond the scope of their Support.

https://www.vocaloid.com/en/support/download/update_v5e/

I found that by reinstalling the original 5 over the previous install, I was able to reinstate the path well enough that the 5.4 Upgrade did install from the DMG. Hope this helps others in a similar situation.

 

Vocaloid (5)

Hi. For those of you who don't know, Vocaloid is a music "voice synth" program that can be used to sing vocal to a song. While it is not perfect, it is making in roads and had a valid place in today's music.

I have purchased the program and am looking for a user support community and cannot seem to find one. I am interested in creating one if that's what it takes.

This is big in Japan and just becoming something here in the US.

Here's a work using the program:

Here is a link. To it being used with the most famous singing anime, Hatsune Miku:

If you're using this, you already know and I would appreciate you letting me know so we might be able to build a support community. Thank you

Compression in Mixing

Compression is talked about a lot in mixing music. With DAWs bringing in a lot more entrepreneurial music production there is a significant point that is often overlooked.

Compression is, in a sense increasing RMS. What this means is a flattening of the sounds so the overall volume can be raised.

When you are creating music in a DAW, using pre sampled audio, these before they have gotten onto your track have most likely been treated/compressed/equalized. This is not to say you cannot get different effects for doing more of the same, but is a word of recognition when you are mixing and wonder why that compression effect is not having the effect you think it should is to consider the true value of that tool is for live recordings and even live performances. Go light on compression in audio sample situations.